Swept Away!

by William Crawford

A wash-off in the Big Bend Country of Texas may closely resemble an arroyo in neighboring New Mexico. Both are ephemeral streams carrying big water only during winter storms and monsoon season. The terms are often used interchangeably in the American Southwest. As water wears away geoforms, a deep gully forms from the fast-moving current. Some of these irregular fissures are elevated with proper names, such as Terlingua Creek in Brewster County.

Jimmy Pro runs a mythical tourist agency dubbed OzQuest. A couple of friends and I are his only clients. Jimmy huddles at his fading computer in Sydney and churns out resos and itineraries. When I least expect it, an email pops up alerting me to an impending photo shoot at a venue where I did not expect to go.

We have been friends for 50 years now since our Army days as journalists. In some ways, we may have peaked in 1970 as young writers at Fort Hood for the Armored Sentinel. I was arrested for consorting with the antiwar protestor, actress Jane Fonda. Jimmy Pro blew the lid off improper command influence as the Green Machine prosecuted My Lai perpetrator, Sgt. David Mitchell. On weekends we shot laconic monochrome photos of derelict CenTex railroad depots. Somehow, decades later, this crazy journey evolved into something of substance. Jimmy coughed up OzQuest, and we began rambling on offbeat photoshoots to El Paso, Death Valley, the Nevada mining country, and even Gotham City.

Late one afternoon a few years ago, as we stared into cold cans of Tecate in a dated Motel 6, we conjured up a name for our tediously obsessive, throwback photography. Forensic Foraging was born. We attempted to stave off the mounting modern wave of techno-driven, digital photography. We rediscovered New York photographer, Stephen Shore, who decades before helped to popularize color photography. We venerated his minimalist approach. He too was a wanderer who found Texas. His famous Amarillo postcards fit snuggly into our favored West Texas motif.

Recently, we landed in Study Butte, Texas on a late January afternoon. We hoped to shoot the wild border country of the Big Bend along the Rio Grande. OzQuest booked us into the Chisos Mining Company, a funky 1950s décor lodge, which intersected perfectly with Jimmy’s spartan travel tastes. Study Butte is the home of the Terlingua ghost town, set in a heavily mountainous desert. It features remote getaways and famous chili cook-offs. The most prominent feature is a played-out mercury mine, which left the earth in the perpetual upheaval of arresting, gaping pock holes ringed by dark brown, grooved piles of tailings. Today, snowbirds, in near million-dollar RVs, populate local campgrounds in search of the warm winter sun. Their license plates indicate they hail from the cold country - Iowa, Minnesota, and Nebraska.

Brewster County is the largest county in Texas, big enough to swallow up Connecticut with room to spare. Ronny Dodson is the smooth-drawling sheriff here. He charms local voters over breakfast at a packed buzzing diner. But, his larger-than-life, Big Bend credo often clashes with intrusive outside values. A big court case, presumably brought by pesky liberals, forced the removal of tiny crosses from his sheriff’s cruisers.

Ronny often blasts the preachy Texas media by saying “there is no border security problem in the Big Bend.” Rumor has it that is because traffic back and forth over the border runs unfettered by the law on a daily basis, though border control stops all outgoing traffic 20 miles outside of Alpine and border control vehicles are a common sight in the region Jimmy Pro is mesmerized by the sheriff who he knows from his previous sojourns here. They have a history of swilling very early morning coffee and solving complex problems.

One afternoon, we decided to forage Terlingua Creek, which bisects the lunar mercury mine site. The water was low, and the well-polished creek stones provided a dry foothold. Jimmy led the way upstream in brilliant winter sunshine. Soon, 100-foot craggy bluffs soared overhead. The creek bent slightly northwest, and Jimmy cooed excitedly as we grabbed some imposing images in the magnificent winter light.

Off on the creek bank framed horizon, some unexpected black clouds flirted with 7,000-foot peaks. Far above us, but out of sight, locals’ dogs yapped happily in the ghost town. Squealing children attested to the families who were living in long abandoned, miners’ cabins. An incongruous audio track squeezed into the mix. Barely audible across many miles, we almost failed to hear faint thunder even as we shot the sun-bathed bluffs above us.

Jimmy Pro squinted through his camera viewfinder. He was isolating curious formations etched in the cliffs. The walls, laced with traces of mercury, saltpeter, and even a bit of silver, were popping out in front of his lens. He suddenly lowered his camera and said matter-of-factly, “The water is coming up!” It was – now four inches instead of two. My feet were suddenly getting wet inside my lowcut hiking boots.

Jimmy Pro is a seasoned trekker in Australia’s quixotic outback. A light bulb suddenly exploded deep in his brain. “Big water is coming down through here from that mountain storm!” he screeched. But 100-foot bluffs blocked our lateral escape. A faint gurgling rumble cascaded south into the narrow canyon. Things then turned bad in a hurry, as we tried to quickly retrace our steps to the bridge where we left our rental car. Terlingua Creek was suddenly a berserk washing machine tumbling us end over end. I caught a glimpse of Jimmy as his backpack bobbed into view, and I spun momentarily to the surface. A silly thought crossed my racing mind. Forensic Foraging can be dangerous.

We bobbed quickly down to the bridge more than a mile away. Jimmy tried to plaster his drenched body against the concrete abutment to arrest his journey. I was still midstream in the full grip of the now raging current. I flashed straight under the bridge and looked back to see bubbling brown water scrape Jimmy off his concrete fingerhold. My feet no longer touched the bottom. We were in a severe desert flash flood! The sun still shone brightly, and I saw patches of blue sky overhead as I tumbled toward the distant Rio Grande. Somehow, the current swept Jimmy past me, and the steep terrain began to flatten out. The creek banks were suddenly only three feet high with scrub shrubs projecting out over the raging torrent.

I traded upside down for right side up. In what I could imagine was only an alarmed apparition, I observed a solitary figure hanging out from a stout shrub on the bank. Then I noticed a white cowboy hat above an outstretched arm. Jimmy grabbed the proffered hand under the white hat. I knew this might be my last chance. I mustered a little strength and swam straight for Jimmy.

My body inverted and corrected at least twice. Abruptly, I slammed into Jimmy dead on. I bearhugged for dear life. A familiar rich baritone voice out of a Marlboro commercial calmly intoned, “I think you boys should stop right here.” Even in my panic, I recognized Sheriff Ronny Dodson under his trademark white hat. He had one big hand on Jimmy Pro and his other was squeezing that stout shrub. A big, brown uniformed deputy was backup on the bank reaching to grab his boss.

As the sheriff wrapped our shivering bodies into some of his handy space blankets, the deputy helped us toward the nearby cruiser. I slid shakily along the back fender and noticed a small cross now faintly painted over because of an unwelcome lawsuit. I placed my index finger lightly on the cross and gave silent thanks. To heck with the lawsuit’s verdict! When you are in deep sh– down in the wild Big Bend, then Sheriff Ronny Dodson dispatched by God may be the only help coming.

William C. Crawford is a prolific itinerant writer and photographer who travels America in search of the truth. Some samples of his images are available at. -bcraw44 on Instagram.

Kerri Menchaca paints primarily Texas landscapes from photographs that she takes while on road trips in a 1968 Early Bronco.  Her paintings focus on the sensory aspects of nature, created with an attention to mood, color and light. Kerri attended the University of Texas in Austin where she graduated with degrees in Art and Art History and a minor in Geology.